UNIT II — ALGORISMUS, EUCLIDEAN SURDS & COSSIC ALGEBRA (REGOLA DELA COSA)

Part I, Distinctiones II–V (Practical Algorism) & Distinctio VIII: Arte Maggiore / Algebra e Almucabala (fols. 112r–150r)

[Folio Part I, fols. 19r–67v]

Practical Algorism, Lattice Multiplication (Gelosia), Regola del Tre & El Cataym

Across Distinctiones II–V, Fra Luca Pacioli codifies the complete computational repertory of the Italian scuole d’abbaco inherited from Leonardo Pisano's Liber Abaci and Johannes de Sacrobosco's Algorismus:

  • Finger Reckoning (*Indigitatione*) & Place-Value Numeration: Woodcut hand positions representing units through tens of thousands (fol. 36v).

  • Eight Modes of Multiplication: Scacchieri (chessboard), castelluccio, colonna, crocetta, quadrilatero, gelosia (Venetian lattice grating), repiego (factor decomposition), and a scapezza (distributive partitioning).

  • Four Modes of Division: A regolo, per ripiego, a danda (forerunner of modern long division), and a galea (galley scratch-method prized by Venetian shipwrights and merchants).

  • Rule of Three (*Regola del Tre*) & Double False Position (*El Cataym*): Linear interpolation of unknowns via two trial hypotheses $(x_1, e_1)$ and $(x_2, e_2)$, eliminating affine error prior to invoking full algebraic unknowns.

[Folio Part I, fols. 112r–125v]

Syncopated Cossic Notation, Sign Laws & Euclid Book X Surds ([X.36], [X.73])

A M B a² = 9 3·℞.5 b = 5 Binomio: 3 p̄ ℞.5 E N F ℞.5 · ℞.5 = 5 Residuo: 3 m̄ ℞.5

Entering Distinctio VIII (De l’Arte Maggiore, ditta dal vulgo la Regola dela Cosa), Pacioli standardizes in print the syncopated Renaissance algebraic lexicon:

  • Gradation of Cossic Powers: Numero ($1$), .co. (cosa) ($x$), .ce. (censo) ($x^2$), .cu. (cubo) ($x^3$), .ce.ce. (censo de censo) ($x^4$), primo relato ($x^5$), and ce.cu. ($x^6$).

  • Operational & Grouping Symbols: .p̄. (più) and .m̄. (meno) governed by the four sign rules (più via più sempre fa più; meno via meno sempre fa più; più via meno sempre fa meno), together with the compound radical .℞.u. (radice universale).

  • Six Binomials & Six Apotomes (*Residui*): Before solving quadratic equations, Pacioli translates Euclid's geometric theory of compound irrationals ([X.36], [X.73]) into radical arithmetic. In the left diagram, the binomial segment AB joins rational AM ($3$) and surd $MB = \sqrt{5}$, so its square decomposes by [II.4] into AMPQ ($9$), $b = 5$, and two symmetric gnomon wings MBRP ($2 \cdot 3\sqrt{5}$), totaling $14 + 6\sqrt{5}$. In the right diagram, subtracting $NF = \sqrt{5}$ from EF ($3$) leaves at N the apotome (residuo) $EN = 3 - \sqrt{5}$, whose square ENKL inside EFGH equals $14 - 6\sqrt{5}$ ([II.7]).

[Folio Part I, fols. 145r–146r]

The Six Canonical Cossic Equations & Geometric Gnomon Proofs ([II.4]–[II.6])

A E B G F H D I C 1.ce. = 9 5.co. = 15 5.co. = 15 (5)² = 25 1.ce. p̄ 10.co. = 39 ⇒ (x + 5)² = 64 ⇒ x = 3

Following Al-Khwārizmī (Al-jabr wa'l-muqābala) and Leonardo Pisano, since all terms on each side of a classic equation must carry positive coefficients, fol. 145r arranges all linear and quadratic equations into three simple (semplici: $a x^2 = b x$, $a x^2 = c$, $b x = c$) and three compound (capitoli composti), printing Latin hexameter mnemonics for each compound canon:

  1. First Compound Canon (*Primi canonis versus*, `fol. 145r`) — Censo e cose equale a numero ($x^2 + b x = c$): “Si res et census numero coaequantur, a rebus dimidio sumpto censum producere debes, addere quem numero, radicem tollere toti, dimidiumque rei de radice abjicere.” Halve the cose ($b/2$), square that half ($(b/2)^2$), add it to the numero ($c$), extract the square root, and subtract half the cose:

    $$x = \sqrt{\left(\frac{b}{2}\right)^2 + c} - \frac{b}{2}$$

  2. Second Compound Canon (*Secundi canonis versus*) — Censo e numero equale a cose ($x^2 + c = b x$): Valid whenever $(b/2)^2 \ge c$, yielding two positive roots $x = \frac{b}{2} \mp \sqrt{(b/2)^2 - c}$ (proved via [II.5]).

  3. Third Compound Canon (*Tertii canonis versus*) — Cose e numero equale a censo ($b x + c = x^2$): Yielding $x = \sqrt{(b/2)^2 + c} + \frac{b}{2}$ (proved via [II.6]).

[Euclid II.4]

On fol. 146r, Pacioli proves the First Compound Canon geometrically on the archetype $1.\text{ce.} \; \bar{p} \; 10.\text{co.} = 39$ ($x^2 + 10x = 39$). Let AEFG represent the unknown censo ($x^2$) on side $AE = x$. Halving the $10$ cose into two equal rectangles of width $EB = GD = 5$ attaches the gnomon wings EBHF and GFID, whose combined area with AEFG is given as $39$. Filling in the corner square FHCI of side $5$ and area $5^2 = 25$ completes the great square $ABCD$ whose sides AB and DA are equal to BC and CD along diagonal AC:

$$\text{Area}(ABCD) = 39 + 25 = 64 \implies AB = \sqrt{64} = 8 \implies x = AE = 8 - 5 = 3$$

[Folio Part I, fols. 149v–150r]

Higher Cossic Gradations & the Historic Verdict on Cubic Equations (fol. 150r)

Closing Distinctio VIII on fols. 149v–150r, Pacioli shows that any higher three-term equation whose powers stand in equidistant proportional gradation—such as $a\,x^4 + b\,x^2 = c$ (censo de censo e censo equale a numero) or $a\,x^6 + b\,x^3 = c$—reduces immediately to the three compound quadratic canons. By contrast, for disproportionate cubic and quartic equations (cubo, censo e cosa equale a numero), Pacioli records his famous 1494 boundary verdict: up to the present hour, the art has not yet yielded a general rule, just as no general method has yet been given for squaring the circle (“si commo ancora non è dato modo al quadrare del cerchio”)—the exact printed challenge that inspired Scipione del Ferro at Bologna, Niccolò Tartaglia in Venice, and Gerolamo Cardano's Ars Magna (1545).